Provenance Research
The research project aimed to reconstruct the art collection of the Wiesbaden pediatrician Georg Koch and his wife Lotte, née Seeligmann. The project started in January 2021. The works of art, among them works by Alexej Jawlensky, Christian Rohlfs and Emil Nolde, were packed into the lift vans, and “disappeared” in the port of Hamburg in 1942.
Facts & Files was commissioned by the Berlin Museum of Natural History in 2020 to catalogue archival records and coordinate the archive project.
Facts & Files was commissioned by the Robert Havemann Association in 2021 with a concept for a feasibility study for the “Forum for Opposition and Resistance”.
Facts & Files was commissioned in 2021 by the Berlin Commissioner for the Study of the SED Dictatorship to conduct a study on archives from the SBZ or GDR in Berlin.
Facts & Files was commissioned in 2020 by the district office Steglitz-Zehlendorf to archive the papers of Karl Fischer and to compile an exhibition concept on it.
From February 2020 to July 2022 Facts & Files had been commissioned by Ralf von Jacobs to conduct provenance research on the art collection of August, Serena and Erich Lederer.
Provenance Research
The aim of the project on objects at four East Frisian museums was to reconstruct the provenance of the objects, which have so far mainly been classified as “seafarers’ souvenirs” from China, and to research problematic contexts of appropriation.
From August 2020 to February 2022, the provenance of objects from the collection of Julius Riemer, which is no part of the Municipal Collections of Lutherstadt Wittenberg was researched. The objects belonged to the Berlin zoologist and mammalogist Oscar R. Neumann before.
The provenance research project on the collection of David and Lola Leder, Chemnitz/Berlin, began in June 2021 and ended in August 2022. The project aimed to reconstruct David and Lola Leder’s art collection, research the provenance and whereabouts of artworks from the collection, and identify artworks.
Facts & Files conducted research on the provenance of the painting “Women at the Flower Garden“ from January 2015 to June 2015. Since 1958, the painting was with the collection of the Lehmbruck-Museum in Duisburg. Until 1942 it was in the art collection of Eduard Müller. In 2017, the painting was restituted to the heirs of Eduard Müller.
This site uses functional cookies and external scripts with 3rd party cookies to improve your experience. If you click »accept« you consent to using 3rd party cookies. More information.
The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.
